Now it seems that Saunders is back in training and is ready to make his highly anticipated return to action. Who should fight when he returns? □ /8AMjhVwoqs Saunders won rounds against ‘Canelo’ and did better than most who face the pound-for-pound king, so certainly still has something left to give the sport. However, he was stopped in the eighth round by the great Mexican, who was the overriding favourite going into the bout with the best UK sports betting sites. In his last fight against ‘Canelo’, Saunders was boxing well and winning rounds. Boxing fans are excited for the return of Billy Joe, who will have his sights set on becoming a three-time world champion. The 33-year-old announced on his social media yesterday that he will return to the ring before the end of 2023. However, the return of the two-weight world champion is imminent. Saunders lost to ‘Canelo’ for the first time in his professional boxing career and hasn’t been seen in a ring since. The former two-weight world champion was last seen in action against Saul ‘Canelo’ Alvarez in their super-middleweight unification back in May 2021. Billy Joe Saunders Set For Ring Return Later This Yearįollowing a period of over two years out of the ring, Billy Joe Saunders has announced that he will return to the ring later this year. The former two-weight world champion hasn’t fought since his defeat two years ago to Saul ‘Canelo’ Alvarez, but is set to make his highly anticipated ring return before the end of the year. Beck - like Brian May, David Gilmour, Jimi Hendrix, Eddie Van Halen - is one of those rare guitarists who doesn’t just have an instantly recognisable sound, he has the ability to make the seemingly impossible look effortless.Billy Joe Saunders has announced that he will return to boxing. There’s no hunched-over focus, no over the top arm flailing, no twisted facial expressions. There’s just one hand that floats up and down the fretboard, while the other plucks the strings, manipulates the whammy bar, and twists the volume knob, all at once.Īnd so it is at Royal Albert Hall tonight. He shares his appreciation of The Beach Boys’ Pet Sounds before sensitively reinterpreting that album’s Don’t Talk (Put Your Head on My Shoulder).Ī typically low-key entrance (a wave and a look around before the sunglasses go on) is followed by a rapid succession of instrumentals in various styles and tempos (often within the same song), interspersed with an occasional soft-spoken “thank you”. But, for the most part, the focus is very much on the music, playfully performed with enthusiasm and the occasional ’60s rock star flair.īeck may raise his right arm, index finger pointing upwards, at the end of a song punctuate his more complex, high-speed flourishes with a subtle, low-impact fist pump or put both hands on his hips after hitting a particularly beefy chord. But the clearest sign that he’s still enjoying this, just three weeks shy of his 78th birthday, are the spontaneous smiles he shares with his band.Īnchored by bass player Rhonda Smith (whose CV includes Prince and Beyoncé), it also features cellist Vanessa Freebairn-Smith (who’s worked with everyone from Paul McCartney to Jay-Z), drummer Anika Nilles (clearly as comfortable laying down jazzy rhythms as electronica-influenced beats), and keyboard player Robert Adam Stevenson. Together they support Beck through 80 minutes of frequently complex and intricate music, including originals and well-worn cover versions cherry-picked from throughout his career. Star Cycle - alternating between power chords, the sing-song melodies Joe Satriani’s built a career on, and all-out shredding - has only grown in bombast through four decades of live performance since first appearing on There And Back. The familiar rendition of Mahavishnu Orchestra’s You Know You Know allows the musicians on stage to get a little darker - and Smith and Nilles to pull focus with individual solos. The muscular Stratus is all groove and Beck’s impossibly fast, fiery outbursts. Nitin Sawhney’s Nadia, with its drum & bass backbone, is even more jubilant than on 2001’s You Had It Coming. Big Block sounds way more nimble than a slab of ’80s blues-based hard rock has any right to.
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